An exhibition in Bucharest is currently showcasing three paintings attributed to the iconic avant-garde artist Kazimir Malevich. These works carry an estimated value of a staggering £100 million, making their display a significant event in the art world. What makes their presence particularly intriguing, and indeed controversial, is the sensational claim surrounding their discovery. They were reportedly found tucked away under a pensioner’s bed, a narrative that has captured widespread attention.
However, this remarkable backstory has drawn scrutiny from the art community. A prominent art scholar has publicly voiced concerns, describing the provenance of these alleged Malevich pieces as deeply problematic. This skepticism casts a shadow over their authenticity and raises significant questions about how such valuable works could have remained hidden for decades and then surfaced under such unusual circumstances. The art world is now debating whether these pieces genuinely represent lost masterpieces by Malevich or if their origins are more complex than the captivating discovery story suggests. The exhibition continues to fuel discussions around art attribution, the verification of historical claims, and the high stakes involved in the valuation of rare artworks.
